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Santa Fe Contest Winner: Family



I am proud to announce that I was recently selected for Santa Fe Workshop’s first ever photography contest, Family. The end result is a book showcasing the work of 50 photographers from 25 different countries.  My work featured is a portrait of my Grandparents in the bedroom of their Bella Vista, Arkansas home.


The Jury included Brenna Britton, Deputy Photo Editor? of People Magazine; ?Julie Blackmon, Photographer;? Anthony Bannon, Director of ?George Eastman House;? and Reid Callanan, Director ?of Santa Fe Photographic Workshops.


Click here to order a copy of Family.

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Class of 99 Turns 30: Alex Owen 2

Alex Owen. Residence. 2010.


Alex Owen. Residence. 2010.


The second half of the images of long time friend and classmate, Alex Owen is my latest subject for my series, The Class of 99 Turns 30.  Alex is a musician seen in front of his former Tempe, AZ residence with his Rhodesian Ridgeback, Beyonce.  He has since taken his talents to Los Angeles. The images above is the final portfolio selection and outtakes after the jump.

With the help of fine art photography’s most sought after consultant and editor Mary Virgina Swanson, we have since added to the series title “The Class of 99” to “The Class of 99 Turns 30.” The below essay is the series preface explaining the concept and themes behind my project.

This year my high school classmates and I turned 30.  As we entered adulthood, we had reason to be optimistic and confident.  Our formative years were cocooned in security, a youth spent in a time of economic growth and low unemployment.

This is what we were promised: “You are being bequeathed the tools for achieving a material existence that neither my generation nor any that preceded it could even remotely imagined as we began our life’s work.” – Alan Greenspan to the Harvard graduating class of 1999

Today, unemployment hovers at 9.6 percent.  Housing foreclosures are at an all time high and personal bankruptcy filings are estimated to affect 1.7 million Americans.  My generation is the first in a hundred years that is unlikely to be financially better off than its parents.

It’s in this moment of transition that I photographed my classmates in settings relevant to the lives they are building.

The images show a community last assembled at graduation during America’s most prosperous moment, regrouping in 2009 during the toughest economic and social circumstances since the Great Depression.  The portraits examine what has been gained or lost in the interim.

Some are recovering from job losses, drug and alcohol addiction and loss of family.  Others are building families, achieving in the their early careers and volunteering in their communities.  Like all generations, we struggle to define ourselves as parents, citizens, family members and spouses.  We work to create meaningful lives; we work to understand what “meaningful” looks like.

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First Look: Christmas in America


First Look is a new addition to the blog that previews new projects in its initial stages.  Christmas in America will be a 20-30 image series exploring the oddities observed during the holiday season.  Stay tuned for some good ol’ fashioned American weird.

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Class of 99 Turns 30: Alex Owen

Alex Owen. Residence. 2010.

Long time friend and classmate, Alex Owen is my latest subject for my series, The Class of 99 Turns 30.  Alex is a musician seen in front of his former Tempe, AZ residence with his Rhodesian Ridgeback, Beyonce.  He has since taken his talents to Los Angeles and additional images will be posted next week. The image above is the final portfolio selection and outtakes after the jump.

With the help of fine art photography’s most sought after consultant and editor Mary Virgina Swanson, we have since added to the series title “The Class of 99” to “The Class of 99 Turns 30.” The below essay is the series preface explaining the concept and themes behind my project.

This year my high school classmates and I turned 30.  As we entered adulthood, we had reason to be optimistic and confident.  Our formative years were cocooned in security, a youth spent in a time of economic growth and low unemployment.

This is what we were promised: “You are being bequeathed the tools for achieving a material existence that neither my generation nor any that preceded it could even remotely imagined as we began our life’s work.” – Alan Greenspan to the Harvard graduating class of 1999

Today, unemployment hovers at 9.6 percent.  Housing foreclosures are at an all time high and personal bankruptcy filings are estimated to affect 1.7 million Americans.  My generation is the first in a hundred years that is unlikely to be financially better off than its parents.

It’s in this moment of transition that I photographed my classmates in settings relevant to the lives they are building.

The images show a community last assembled at graduation during America’s most prosperous moment, regrouping in 2009 during the toughest economic and social circumstances since the Great Depression.  The portraits examine what has been gained or lost in the interim.

Some are recovering from job losses, drug and alcohol addiction and loss of family.  Others are building families, achieving in the their early careers and volunteering in their communities.  Like all generations, we struggle to define ourselves as parents, citizens, family members and spouses.  We work to create meaningful lives; we work to understand what “meaningful” looks like.

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New Work: Block M

Block M. 2010. 36"x24"

The last 12 months I have been a part-time Phoenix resident working on two personal portrait projects. Last spring I was invited to join 25 phoenix photographers to participate in a book project and traveling group show, 26 Blocks. The downtown phoenix metro area was divided into 26 blocks each having a writer, sculptor, and photographer spending one month to create one image, one essay and and one sculpture. No rules, no direction just a reactionary interpretation of an always changing urban landscape.
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Featured: Wonderful Machine Fine Art Promo

Yesterday I got great news from the folks at Wonderful Machine that I am featured in their August fine art newsletter.  Wonderful Machine is a unique web portal featuring, promoting, and representing photographers all over the world.  The email promo went out to about 8,000 clients, including European, Australian, and Latin American prospects. The image selected is from an ongoing series Business Parks.


Untitled 1. 2008. 40"x 30"

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American Photography 26: Chosen



I am proud to announce that I was recently selected for American Photography 26: Chosen. My work featured is a portrait of life long friend Megan Mckenzie from the project Class of 99. Class of 99 is an ongoing portrait series exploring the lives of my high school classmates coinciding with our ten-year reunion.



This year’s distinguished jury included Gail Buckland; Scott Dadich, Wired; Janet Froelich, Real Simple; Luke Hayman, Pentagram; Steven Kasher, Steven Kasher Gallery; Michael Norseng, Esquire; and Kira Pollack, TIME.



Thank you.

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American Photography 26: Chosen



I am proud to announce that I was recently selected for American Photography 26: Chosen. My work featured is a portrait of life long friend Megan Mckenzie from the project Class of 99. Class of 99 is an ongoing portrait series exploring the lives of my high school classmates coinciding with our ten-year reunion.



This year’s distinguished jury included Gail Buckland; Scott Dadich, Wired; Janet Froelich, Real Simple; Luke Hayman, Pentagram; Steven Kasher, Steven Kasher Gallery; Michael Norseng, Esquire; and Kira Pollack, TIME.



Thank you.

NO COMMENTS